Poem The Bottom Line Essays - Goal, Management, Motivation

Poem: The Bottom Line Face It. Nobody owes you a living, what you achieve or fail to achieve in your lifetime is directly related to what you do or fail to do. No one choses his parents or childhood but you can choose your own direction. Everyone has problems and obstacles to overcome, but that too is relative to each individual. Excuses Are For Losers: those who take responsibility for their actions are the real winners in life. Winners eet life's challenge head on, knowing there are no guarantees, and give it all they've got. Never think it's too late or too early to begin, time plays no favorite and will pass whether you act or not. Take Contol Of Your Life!!! Dare to dream and take risk. compete...If you aren't willing to work for your goals, don't expect others to.........BELIEVE IN YOURSELF!! Poetry

Y2k Millennium Bug essays

Y2k Millennium Bug essays The Millennial sun will first rise over human civilization in the independent republic of Kiribati, a group of some thirty low lying coral islands in the Pacific Ocean that straddle the equator and the International Date Line, halfway between Hawaii and Australia. This long awaited sunrise marks the dawn of the year 2000, and quite possibly, the onset of unheralded disruptions in life as we know it in many parts of the globe. Kiribatis 81,000 Micronesians may observe nothing different about this dawn; they only received TV in 1989. However, for those who live in a world that relies on satellites, air, rail and ground transportation, manufacturing plants, electricity, heat, telephones, or TV, when the calendar clicks from 99 to 00, we will experience a true millennial shift. As the sun moves westward on January 1, 2000, as the date shifts silently within millions of computerized systems, we will begin to experience our computer-dependent world in an entirely new way. We will finally see the extent of the networked and interdependent processes we have created. At the stroke of midnight, the new millennium heralds the greatest challenge to modern society that we have yet to face as a planetary community. I am describing the year 2000 problem, known as Y2K (K signifying 1000.) Nicknamed at first "The Millennial Bug," increasing sensitivity to the magnitude of the impending crisis has escalated it to "The Millennial Bomb." The problem begins as a simple technical error. Large mainframe computers more than ten years old were not programmed to handle a four digit year. Sitting here now, on the threshold of the year 2000, it seems incomprehensible that computer programmers and microchip designers didn't plan for it. But when these billions of lines of computer code were being written, computer memory was very expensive. Remember when a computer only had 16 kilobytes of RAM? To save storage space, most programmers al...

Frederick Douglass style of writing Essay Example | Topics and Well Written Essays - 2000 words

Frederick Douglass style of writing - Essay Example He suffered just as any other slave would in that period of time, from hunger, no bed to sleep on, barefoot, nothing to wear but a long shirt, no hint of affection and even separated from his three siblings. At the age of seven he moved to a couples place in Baltimore and he was more than happy for that. It was here in Baltimore that he learnt the English alphabets (Merriman). Douglass grew up to be an author, abolitionist and a lecturer and wrote three autobiographies during his lifetime; A Narrative on the Life of Frederick Douglass, an American Slave (1845), My Bondage and My Freedom (1855), and Life and Times of Frederick Douglass (1881). As he was a brilliant speaker he was asked by the American Anti-Slavery Society to deliver lectures at various places. He became famous and was recognized as one of the greatest black speakers in America. He was the foremost to declare himself a fugitive publicly and published many newspapers, one of them being an anti slavery newspaper called à ¢â‚¬ËœThe North Star’ and most of his causes were in the name of â€Å"Life, liberty, and the pursuit of happiness", which was incorporated in the United States Declaration of Independence. He also served as an advisor to President Abraham Lincoln at the time of the Civil War and recommended many amendments to the American constitution, especially for the blacks. Douglass was a powerful administrator of human rights during that time in America and is still praised for his contributions against racial injustice (Merriman; Thomas). In this article we explore the amusing and powerful writing style of Frederick Douglass. Douglas was well spoken and thus his writing reflected it. Doubts had been raised about the credibility of his writing, whether he had written them or others had done it for him, but he proved that he was clean by introducing writings of well known abolitionists and personal friends, who describe his work. Two of them, William Llyod Garrison and Wendell Phillips were well known friends of his. Both of them were white, and they both of them mention the author and his credentials in the preface of the book, thereby shutting all the questions raised. Douglass also included dates in his writing and thus this proved the credibility of his writing (McNamara) Douglass had a definitive tone in his writing. It increased the rhetorical strategy and the ethos presented by him within his writing. His writing had a feel as if it was written for a definite section of the society, the upper middle class. At a time when books were not very cheap and was more of a luxury, Douglass had to establish himself on the same platform as the readers, instill in them a sense of all the wrong things happening in the society then, stir their emotions and thus influence their feelings so as to get a response in the way he wanted, that is a need for a change. He had a great choice of words sentence structures which set the tone for the extract. He awakens the reader to a new realization (Lampe, 81,101-102). Douglass’s writings have a pattern of objective and subjective styles of writing. He narrates in his autobiography, what he is and what he believed in. Objective style of writing uses facts to establish points, instead of opinions. Instances of his writing lacking emotions have also been seen. In his, at a particular point he describes Mr. Covey gave me a very severe whipping, cutting my back, causing the blood to run, and raising ridges on my flesh as large as my little finger (Moritz, 23). He describes such a scene, but then no negative emotions are portrayed by him towards Mr. Covey. Scenes

Fashion, Taste, and Consumerism Essay Example | Topics and Well Written Essays - 1500 words

Fashion, Taste, and Consumerism - Essay Example The paper "Fashion, Taste, and Consumerism" analyzes Taste, Consumerism and Fashion. Birkenstock shoes have dominated the market and the American (employee-group) now owns it. The company is enjoying a large market share due to their quality production of a varied category of shoes production. Employees of Birkenstock Company are now employing new skills to keep up with new demands and change of preferences in the market today. The creativity and commitment in the market has marked the survival strength of the company. Birkenstock shoes are friendly to hot weather and their open shoes are now preferred for casual wears. Consumption is of items are based on various theories. The Keynesian theory of consumption has it that the absolute income hypothesis depends on the current income of the country of individual to have the buying power. Some other theories have it that consumption of individuals depends largely on the behavior of people and their cultural way of life. The rate of consu mption is also defined by taking comparison to the level of production. The opportunity cost often has great effects on production of local goods thus creating demand for commercial goods. According to many economists, what constitutes consumption is the products that finally reaches the market and bought by the final utilizes. Consumption is also defined broadly as the overall results for all the productions of the economic activities. The aggregate need for items increases consumption and production too.

Ultrasound examination of deep vein thrombosis during pregnancy Essay

Ultrasound examination of deep vein thrombosis during pregnancy - Essay Example Deep venous thrombosis was classically diagnosed by venography, which has its own problems in a pregnant patient. Recently with development of suitable technology, noninvasive methods such as plethysmography and specifically Doppler ultrasonography are being increasingly used to diagnose clinically silent deep venous thrombosis in pregnant individuals. The clinical criteria of deep venous thrombosis are rarely apparent in many cases, and some actual cases of DVT are termed as superficial phlebitis (Chan et al., 2002). Thus a diagnostic modality that can establish the diagnosis would be very necessary due to initiate management and prevent complications which may be detrimental to the fetus and life-threatening to the mother. Mortality rates of thromboembolism in pregnancy have been reported to be 15% in untreated patients and less than 1% in treated patients. This substantiates the grounds for establishing an early diagnosis and treatment based on that. It is quite evident that the r easons the patients remain untreated are ill-defined clinical manifestations, need for a very index of suspicion, lack of guideline regarding routine screening examinations for DVT in pregnant women, unavailability of a dependable and reliable noninvasive test, consequent failure to establish the diagnosis, and resultant failure to initiate treatment, all of which culminate into death of 15% pregnant women affected with DVT, much of which can be prevented with the use of a noninvasive and easy to use diagnostic imaging procedure (Ray and Chan, 1999). Early diagnosis and early intervention remain the clues to successful outcome specially in pregnant women since missing the diagnosis has potentially fatal implications. Over the top of that misdiagnoses have implications of potentially unnecessary risks of anticoagulation therapy such as teratogenic effects of drugs in the first trimester and the risk of fetal

Case Study of the Jewish Museum, Berlin

Case Study of the Jewish Museum, Berlin The Jewish Museum Berlin incorporates the social and cultural history of the Germany after World War 2 and aspired to correspond to the effects of the Holocaust on Jews in Germany. In his design, Libeskind claimed to combine three main concepts; the incapability to comprehend the historical agendas of Germany without the knowledge of the civilizational, academic and economic contribution that was made by the Jewish people in Berlin. Secondly he wanted to capture the bodily and spiritual journey in correlation to the experience of the Holocaust and its repercussions the society of Jews and finally he wanted to make amends by the acknowledgment, removal and the incorporation of voids, through which Berlin can move but this time with humanitarian existence. When the construction ended in 1999, the Director Michael Blumenthal declared that, the chief aim of the museum will be to bring a sense of the richness of Jewish cultural life in Germany before the Holocaust LIBESKINDS BOOK However, the Holocaust infuses the museum so strongly the museum has been called by reviewers and critics both didactic and pedagogical that the message is one for the present and, more importantly, for the future (BOOK MAKE UP). Because the context of the Holocaust remains such a strong thread in this space, it warrants examination as a unique addition to genres memorializing the Holocaust. Additionally, the museums triumph in its massive turnout rates particularly with young people, over the last decade calls for an analysis of its complexity of design and content to understand how the space performs to change the way we see things.WHY HE WON? For Libeskind, who was worn in Poland, a coupl of hundred Kilemoters from Berlin and whose family devastated during the Holocaust, the project presented a chance to reconnect to his past. Both of his parents were arrested by Soviet officials when the Red Army and upon their return home and have spend some time in concentration camp. Upon their retur n they learned that 85 members of families had died at the hands of the Nazis. These experiences made Libeskind design extremely personal and in a sence biased. In an nterview to Jewish Currents, a Jewish on-line magazine that deals with activism, politics and art Libeskind explains his approach; I would first point out that its not a project that I had to research in a library or study in the archives because it is part of my background, including my immediate background in every sense. My parents were Holocaust survivors and my uncle Nathan was one of the heroes of the Warsaw Ghetto Uprising. I myself grew up as a Jew in post war Poland under quite anti-Semitic circumstances. And Ive lived in Israel and New York. Certainly that museum is speaking, both backwards and forwards, to many issues that are part of my Jewish sensibility. Jewish Currents Just by observing the form of the structure, already the sense of pragmatic effect is playing a large role. The building is recognisable by its gleaming zinc walls, asymmetrical shape of the zigzag form with daylight penetrating through asymmetric cuts suggestive of the vile stabs on Jewish presence in Germany. Berliners immediately dubbed it blitz or the lighting. For Libeskind this tormented form represents all the brutality, all the ruptures in the history of the Jews in Germany. This could b a case of Libeskinds over-collaboration with the structure, as this lighting, zig-zag this design of the structure is developed from the disjointed Star of David which is only noticable from the air an image only seen by an angel( BOOK BY DANILEl. The building, for example, proposes that the horrified, broken world of the Holocaust is best evoked by shatter, broken space. The entrance to the exhibition is by a descending lobby staircase that leads into a world twisted geometry where floors are off centre and twisted. And instead of feeling something philosophical, you almost anticipate platforms moving as in a luna parks house of terror. The basement of the museum is made of three axes representing three certainties in the history of Jews in Germany. The first is Axis of Continuity and it is the longest one. It joins the Old Building with the central stairway which escorts up to the exhibition levels. To Liberskind is a representation of continuation of Jews in Berlins history and culture. Second, Axis of Emigration guides visitors outside to sunshine of the Garden of Exile. here the walls are to some extent skewed and distorted. A gigantic door must be opened before one can step into the garden. There is not much information about history and once again Libeskind heavily relies on the architecture, our imagination and experiences to construct the history. dead end is at the Axis of the Holocaust which is even more narrower becomes and darker and finishes at the Holocaust Tower. Unlike in Axis of Emigration there is bit more information about the holocaust. On the way glass case, documents and other personal possessi ons are displayed, confirming of a private life of their owners who were murdered. Underground, all three axes traverse, representing the link between the three certainties of Jewish life in Germany. One aspect of the museum that had an effect on me are Libeskind`s so called Voids which symbolise the fundamental structural element of the New Building and its association with the Old Building. Here a staircase guides visitors down to the basement and all the way to the voids of exposed concrete which connects two buildings. These are indeed empty spaces, some of which you can peek into, and theyre supposed to symbolize the voids left by those Jews and Jewish communities that have been wiped out during the Holocaust. While this is certainly a very dark aspect of the buildings intend, it is rather an abstract one and again a pre-acquired knowledge had to exist in order to understand architects intentions. While observing the images of Voids the feeling of bareness, confusion and loss are strong and almost agonizing. Here, an installation by the Israeli sculptor, Menasche Kadishman of over 10,000 circular iron disc faces is spread along the concrete floor. It represents the suffering that could be seen on the faces of Jews murdered in Nazi Germany. Although these discs were left there intentionally as is usually not case with the punctum they are my prick. Ten thousand faces look at you from the cold concrete floor and their wide open mouth appears to be screaming. The fact that visitors are invited to wal k all over those faces seems as it somehow desecrates the installation. Maybe one of those faces was my grandfathers friend. In summation, the motive for the museum can influence the architectural form and become its source of inspiration. However, architecture could never have the specificity of meaning of written or verbal communication. The ways in which a building might thus express its newly anointed role in the framing of history seem partial, and burdened with pitfalls. I very often think that contemporary culture has more style over matter, and it could be argued that the Jewish Museum is a case in point. People expecting to leave building and gain a much better perspective of what life was like for the German Jewish population, will be disappointed, but if they are prepared to let their mind follow Daniel Libeskinds interpretation of events then they`ll leave distressed and puzzled . However, if come with certain acquaintances and their own experiences from the holocaust, they will notice their punctum and leave wounded and tormented.

The Sun Also Rises :: Essays papers

The Sun Also Rises "This is the way the world ends. This is the way the world ends. This is the way the world ends. Not with a bang but a whimper." (T.S. Eliot, The Hollow Men) "†¦but a whimper.", Eliot was writing of the Lost Generation. The period after World War I were people were disillusioned, wandering through their life lost, not sure what their goal was. In Ernest Hemmingway's novel, The Sun Also Rises, the Lost Generation and their inability to cope with the change around them is the focus of the novel. The Sun Also Rises is a beautifully written account of a generation lost in an unknown cause that leaves them abandoned in the end. Hemmingway wrote this story in a unique fashion. The book is written with no apparent plot, that is, there are not twists, intrigue, or goals for the characters. The plot is simply the story itself. That is what Hemmingway wanted, he wanted the reader to read this story and recognize the loses and struggles the characters encounter through experiences they had. The Sun Also Rises takes place in France following the First World War. The main character and narrator is Jake Barnes a newspaper reporter and war veteran. His life corresponds directly to that of the Lost Generation, for he is the Lost Generation. Jake lives a very simple life, he gets up and eats, goes to work, goes out with someone for lunch, goes back to work, than goes out with friends to eat supper and drink the night away. Jake's life is very similar to all others of that time; he is not an exception. To prove this Hemmingway shows the bars and restaurants packed at night with people just like Jake and his friends. Jake's long time friend and once lover, Brent Ashley is a very beautiful and unruly woman. She makes her first appearance in the novel as she walks into a bar to meet Jake, she is followed by a group of gay men. This point is very crucial to the novel because it strikes a major point of conflict between Jake and Brett. Jake had suffered an injury in the war and was impotent because of it. Jake is self-conscious of this fact and was very upset when Brett walked in with men that were not impotent and yet failed to take advantage of it.